Feb 21, 2013 - some kind of Spiritual exercise during Lent helps prepare of Loyola, the. We have an excel. Midrash take a little bit of explanation. His virtuosic transcription of Oscar Peterson's 'Blues Etude' brought. Barron continues to perform awe-inspiring transcriptions of some of the best jazz pianists ever: Art. Documents Similar To Little Jazz Exercise Oscar Peterson. A Little Jazz Exercise. Oscar Peterson Jazz Exercises.pdf. Do you want to learn 2 unusual Oscar Peterson jazz exercises? I’ve had a lot of students ask me who I studied when I was an up and coming jazz pianist. We’re all constantly looking for ways to maximize our return on investment with our time right? Well, I’m reaching out to you today to set the record straight. When I sat down there was 1 guy that I studied that really made a drastic improvement of my playing. This guy was Oscar Peterson. I’ve probably transcribed about 35 Oscar solos over the years. He’s my go to source for blues and bebop mixed together. I learned a TON about from Oscar. Way too many to list in 1 email but I wanted to share 2 nuggets today that I learned from. #1 How To Correctly End Your Rhythmic Phrases Oscar was a master at mixing short “riffy” type ideas with long virtuosic flowing bebop type lines and. When he played it always sounded like he was speaking through his fingers. One of the big reasons he sounded so “conversational” when he played was that he always resolved his lines with rhythmic clarity. The more I dug into Oscar’s playing the more I realized he actually had worked out specific rhythmic endings to resolve his phrases with. • For example, in the last bar of a 4 bar phrase he’d end tons of his lines with 2 eighth notes on beat 1 and then the & of 1. No matter what song he was jamming on I heard him use this rhythmic ending constantly! (By the way, Miles Davis used this one too). Another one he used all the time was ending his phrase on the “& of 3”. Again, hundreds of licks I learned from him featured this rhythmic ending. Now, there are lots of others he used but if you start adding those in your phrases it will help you sound a lot more conversational too. How To Take 1 Lick & Transform It Into 1000 Oscar Peterson Jazz Exercises One thing that I noticed over and over again in the Oscar solos was that certain licks would pop up again over and over again. Interestingly though, they sounded different and unique in every song. He was a master at breaking up a 1 lick and transforming it into an infinite amount of new licks. This is because he’d often break up a lick into 1 and 2 beat “cells” and then string them together with other 1 and 2 beat cells. It was almost like legos. With legos, all the pieces have the same shape on the bottom so they can also connect together easily. And you can make a million different things depending on your imagination.
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